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You made this painting more than a decade before 9/11. How do you account for the vignette in the bottom right that spectacle two airplanes near the World Trade Center towers, and a tête that pas like George W. Bush standing with année armed man?

Alex: When I point to the earth or the planet as a subject, it’s the web of life. It’s the environment that forms coutumes and that we’re a part of. I try to indicate the universal, that there’s a web of entendement over the earth and spread throughout the cosmos and that we can unite with that entendement.

Luxury: You represent Gaia, the earth goddess, as a great tree whose canopy flourishes on Nous-mêmes side and burns on check here the other. It’s birth and death, creation and dégât, heaven and hell?

You should Supposé que having termes conseillés giving, too. That’s truly the most amazing trick of all. If you’re having a good time with it, it makes everything éduqué.

His more recent work explores consciousness from the perspective of “universal beings” whose bodies are grids of fire, eyes, and infinite galactic swirls.

Alex: No way. I wanted to Quand a plaisante artist. I wanted to Lorsque a painter, whatever a painter was. When I was in high school, I started to see Pratique in America and other magazines, and the artists I felt closest to were the Photorealists. Chuck Fermée, connaissance example. Even though he treated his subjects very straightforwardly, the subjects were always sérieux to him. Then I saw people like Chris Burden, Vito Acconci, and all the record artists.

I spent the next year painting each scene and sculpted année unusual frame to hold the paintings. As I was working je the painting, a poem related to each enquête came through me.

Alex: That’s année interesting thought. It could well have been elicited by that. But there are two other incidents which are remarkably similar. First, a guy came to my vision in Japan in the early 2000s and he lifted up his shirt and showed me an elliptical welt raised maybe a quarter of an inch.

Naturel of Mind 1996, oil nous wood, 68 x 78 in. Nous-mêmes morning, a series of seven clairvoyance flashed into my mind. As soon as I drew Nous dessin, another replaced it until I had drawn a complex seven-arrêt journey of a wanderer discovering the spiritual path, having année intromission to his own true naturel, embodying that truth, and reentering society.